***

prettycolors:

#f18b0e

centuriespast:

LIMBOURG brothers
Les très riches heures du Duc de Berry
c. 1416
Manuscript (Ms. 65), 294 x 210 mm
Musée Condé, Chantilly

(via arthistorycq)

driflloon:

paparazzi: nyamouch girwath for paper magazine march 2017

yama-bato:

                        Raimonds Staprans                                            

                                                   Stillness II,                                                                    1975                                

jurnee-cola:

Sade//Solange

(Source: leaveblackgirlsalone, via boujiebabe)

yama-bato:

                        Raimonds Staprans                                            

                                                   Summer Boats,                                                                    1973                                

historical-nonfiction:

Tannit – or Tannou or Tangou or Tinnit – was the main maternal goddess of Carthage alongside her consort Ba`al Hammon. She was the goddess of war, of mothers, and to a lesser extent of fertility. She remained popular even after the fall of Carthage. She was first venerated in North Africa under the Latin name of Juno Caelestis, the romanized version of the goddess. Outside the sphere of Roman influence, the Berber peoples of North Africa adopted her cult under her original Carthaginian name. In modern-day Tunisian Arabic, it is still customary to invoke “Omek Tannou” or “Oumouk Tangou” (Mother Tannou or Tangou depending on the region), in years of drought to bring rain.  

driflloon:

pandoras box: olivia anakwe for king kong magazine apr. 2017

artruby:

Jose Dávila, The Stone that the Builder Rejected (2017). 

(via artruby)

contemporary-art-blog:

Paris based collective Claire Fontaine, Change, 2008

nevver:

Heal

(via nevver)

wetheurban:

Wardrobe Snacks by Kelsey McClellan

Wardrobe Snacks is the quirky ongoing project of photographer Kelsey McClellan and stylist Michelle Maguire depicting the matchy-matchy situations in fashion and food mixup.

Instagram.com/WeTheUrban

life:

An outtake from the Mar. 23, 1959 feature: “HAWAII—BEAUTY, WEALTH, AMIABLE PEOPLE: After long years of trying, the idyllic islands at last stand on the brink of statehood.” (Ralph Crane—The LIFE Picture Collection/Getty Images) #1950s #Hawaii